“...The opening Beethoven Fantasy by Kuzmenko, who was in attendance, is, in terms of musical style, a throwback to roughly the time of Vaughan Williams or Holst. As a work of music, however, it is impressively well crafted and intelligently composed, the various clearly defined sections each expressing a specific mood through orchestration and thematic treatment. The control of harmony was especially impressive. The Fantasy made a suitable complement to the rest of the music of the evening in its alternation of interior reflection, contrasting with moments of brass-driven energy. Throughout the program, the various small solo parts for woodwind and brass were accurately and vividly performed, not the least the oboe colours in the Fantasy...