REVIEWS

The Globe and Mail

Saturday, Nov. 22, 2008

Fantasy for Solo Cello

The Kuzmenko Fantasy is an attractive, essentially tonal work, a genuine contribution to the repertoire, and easily the best of.. the things I've heard by this composer. It has rhythmic and melodic interest, real vitality and strong feelings, all of which Yamagami was able to convey. Each of its four movements has a distinct profile and its own characteristic devices: the Prelude is sombre; the Scherzo a buoyant jig; the Intermezzo wistful, with a memorable, brief plaintive passage in harmonics; the Toccata finale a bit episodic but decisive. 
Ken Winters

The Toronto Star

March 8, 2005

Dreams for Choir and Piano Trio

...the scoring was so well judged that verbal clarity was never sacrificied and the union of violin, cello, and piano with the voices of a chamber choir sounded entirely natural. 
William Littler

The Chronicle Journal (Thunder Bay)

Saturday, November 27, 2004

Sea Without a Shore for Cello and Orchestra

Kuzmenko's concerto, "Sea Without a Shore'", was well received. It's a good work, solid in construction with some effective orchestration. The slow finale .. is a highly evocative expression of the depth of Kuzmenko's imaginary sea. The orchestral textures are rich and dark, yet strangely still and chilling. 
Steven Baric

The Toronto Star

Friday, March 16, 2001

A Song Of Lilith

Kuzmenko's exciting, absorbing and intriguing score made vivid programmatic work of the story components. 
Geoff Chapman
MEMORIAM
“Memoriam for the victims of Chornobyl”

Has recently been published by Plangere Publications and is available through them at www.plangere.com. Plangere is also publishing Fantasy for Solo Cello and "In Search of Eldorado" in versions for mezzo soprano and soprano.

LATEST REVIEWS
April 1 ~ May 7, 2010

Kuzmenko's Piano Concerto,
Pianist "Christina Petrowska Quilico" on Compact Disc.
The Work is flamboyantly virtuosic and Petrowska Quilico takes full advantage of the opportunity to rise to the occasion... It is a well-crafted, dramatic work that would be well at home on any mainstream orchestral concert and, deserves to be heard more often. 
David Olds (DISCoveries Editor)

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