The Globe and Mail
“The Kuzmenko Fantasy is an attractive, essentially tonal work, a genuine contribution to the repertoire, and easily the best of.. the things I've heard by this composer. It has rhythmic and melodic interest, real vitality and strong feelings, all of which Yamagami was able to convey. Each of its four movements has a distinct profile and its own characteristic devices: the Prelude is sombre; the Scherzo a buoyant jig; the Intermezzo wistful, with a memorable, brief plaintive passage in harmonics; the Toccata finale a bit episodic but decisive.
The Toronto Star
“...the scoring was so well judged that verbal clarity was never sacrificied and the union of violin, cello, and piano with the voices of a chamber choir sounded entirely natural.
The Chronicle Journal (Thunder Bay)
“Kuzmenko's concerto, "Sea Without a Shore'", was well received. It's a good work, solid in construction with some effective orchestration. The slow finale .. is a highly evocative expression of the depth of Kuzmenko's imaginary sea. The orchestral textures are rich and dark, yet strangely still and chilling.
The Toronto Star
“Kuzmenko's exciting, absorbing and intriguing score made vivid programmatic work of the story components.
“The Work is flamboyantly virtuosic and Petrowska Quilico takes full advantage of the opportunity to rise to the occasion... It is a well-crafted, dramatic work that would be well at home on any mainstream orchestral concert and, deserves to be heard more often.David Olds (DISCoveries Editor)